Music for The Man Who Grew Common in Wisdom by Ellen Fullman

So excited to announce this will be released as an LP on Besom Presse!

The Man Who Grew Common in Wisdom was featured in Deborah Hay’s Re-Perspective, Tanz im August Festival, Berlin, Sophiensaele, August 16-18, 2019.

with Eva Mohn, after an astonishing performance by her of The Man Who Grew Common in Wisdom at Sophiensaele, Tanz im August Festival, Berlin 2019 – RePerspective Deborah Hay: Works from 1968 to the Present

with Eva Mohn, after an astonishing performance by her of The Man Who Grew Common in Wisdom at Sophiensaele, Tanz im August Festival, Berlin 2019 – RePerspective Deborah Hay: Works from 1968 to the Present

Staggered Stasis was written for The Navigator. Chord changes hover around a theme of Pythagorean intervals, microtonal shifts occur in a staggered fashion. There is a flatness in this drama, like what I imagine it must be like to be alone in the middle of an ocean.

Music for the Gardener uses the image of a curbside garden decorated with bits of broken glass and scrap wood. Recordings of these materials are manipulated with a Prophet sampler to build an audio mosaic out of discarded things.

Music for the Aviator is rooted in Deborah’s directive: “We contain the mystery, but we don’t know what it is.” The music illustrates this concept as a day at the circus with calliope music, starter pistols, large crowds and abrupt disturbances.

Ellen Gardener 4.jpg

Recording Music for The Gardener 1987

Ellen_Glass_Gardener.jpg
Gardener_glass.jpg
Ellen_mix_Man2.jpg
It was swapping back and forth between a Studer Revox half track and PCM digital processor back then to multitrack. The Mac toaster was only powerful enough to be used as a control interface for the Prophet sampler. Those are shards of glass from a …

It was swapping back and forth between a Studer Revox half track and PCM digital processor back then to multitrack. The Mac toaster was only powerful enough to be used as a control interface for the Prophet sampler. Those are shards of glass from a broken Budweiser bottle on the concrete stepping stone.

The Language of Nature | Cedars Union, Dallas Symphony Orchestra by Ellen Fullman

This project marks a major development in my work, James Talambas has taken on a dedicated apprenticeship to learn all things Long String Instrument. This has been a couple of years in the works and now a successful public showing. James and I each composed and performed new works for DSO members Christine Hwang (viola), Jennifer Humphreys (cello), and Deborah Mashburn (timpani). A beautiful installation by Sheryl Anaya was suspended overhead. Many thanks to Gillian Friedman Fox, Soluna Festival Director and Erica Felicella, Artist Liason at Cedars Union.

TLON8.jpg
TLON7.jpg
TLON3.jpg

ARCOOP, Geneva by Ellen Fullman

Thank you Wendy Coutau and Anny Serrati and all the crew of SoundVision as well as Ensemble Vide, and director Denis Schule! It was a remarkable experience working at ARCOOP with you. 

September 25, 2016

September 25, 2016

Les Moulins de Paillard, Poncé sur le Loir by Ellen Fullman

Thanks to Shelly De Vito and James Porter for hosting us at Les Moulins de Paillard, August 26–Sept 11, 2016. The tone in this room was so beautiful, smooth and warm. 

Theresa Wong and I recorded Harbors here and we plan to release it soon. We recorded with a Bruel & Kjaer pair configured in ORTF. Testing mic placements gave astoundingly different results and we found a sweet spot!

Theresa Wong and I recorded Harbors here and we plan to release it soon. We recorded with a Bruel & Kjaer pair configured in ORTF. Testing mic placements gave astoundingly different results and we found a sweet spot!