Elemental View featured on KALW Music From Other Minds by Ellen Fullman


KALW Broadcast: March 12, 2023, 8pm PST
Host: Joseph Bohigian

This program features music written for non-traditional instruments invented by the composer or performer. These invented instruments range from adaptations of familiar instruments to large contraptions that take up an entire room. The program includes Daphne of the Dunes by Harry Partch written for an array of his invented instruments, 342 by Paul Dresher for Quadrachord, Hurdy Grande, and Marimba Lumina, an interview with sound-sculptor and composer Trimpin, and Elemental View by Ellen Fullman, inventor of the Long String Instrument.

https://www.otherminds.org/mfom/?fbclid=IwAR3w3k-PhwbNoalhtE0IlR36cR-Fizzy55Z8tgkDUA9WLCnRPpF9HXayAEM

Elemental View is now online by Ellen Fullman

Elemental View (password: headlands) is a work for The Long String Instrument, retuned steel guitar and santur, performed by Ellen Fullman with The Living Earth Show commissioned by the Gerbode Foundation Special Awards in the Arts program. It was conceived of as a film, shot on location at the Headlands Center for the Arts in the Marin Headlands during the pandemic when live performance was shut down. I took this opportunity to realize a life-time vision of orchestrating a piece in an expanded installation of 134 strings.

 Elemental View is a celebration of beauty in nature; namely, the physics of string vibration. In playing The Long String Instrument, strings are bowed lengthwise, setting up the longitudinal mode of vibration. Harmonics sound out as the performer plays, moving along the string length. This piece draws from extended harmonies that are embedded in the complex sound my instrument produces. Melodic, rhythmic and percussive parts focus the fluid and slowly unfolding harmonies, to ornament and amplify naturally occurring overtone events. The Living Earth Show (Andrew Meyerson and Travis Andrews) perform rhythmic textures, striking groupings of strings tuned to chords using tools I designed and built called the ‘box bow’ and ‘shoveler’. The duo also plays a sequence of movements on steel guitar and santur that bridge song form with experimentalism, generated from ephemeral melodic phrases which emanate from the harmonics. With Elemental View I wish to foster a slow, close attention to the beauty of the natural world and the optimism it can bring.

Sound Inventions: Selected Articles from Experimental Musical Instruments by Ellen Fullman

Sound Inventions is a collection of 34 articles taken from Experimental Musical Instruments, the seminal journal published from 1984 through 1999 by Bart Hopkin. Bart enlisted Sudhu Tewari as co-editor of this book just published by Rutledge. I am very grateful that my article documenting the design of my Long String Instrument (from Volume 1, #2, August 1985) has been included.

Go Stick Glue-up by Ellen Fullman

On with the repair job — My soundboards split at some of the glue joints. I steamed them apart and recut the spring joints. Now using “go sticks” to clamp the ebony bridge to the soundboard and then I will pad shellac varnish. I am eternally grateful to Tony Smith for teaching me about go sticks and padding shellac and spring joints and the tone of ebony and rosewood and how to carve wood and sharpen chisels — for ultimately it is about the sound — and working with these natural materials has given my instrument a remarkably better sound.

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Time for Restoration by Ellen Fullman

Two recent gigs to cold dry places taught me a lesson on hide glue fragility. Repairing my inventory and taking more care to not exceed 145 degrees in glue temperature – it can become weakened from too much heat. I won’t have an instrument to play on until I fix it…

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Now That's a String Quartet! by Ellen Fullman

It was so wonderful working with students and faculty at University of Northern Colorado. Members of the UNCommon Ensemble from left to right: Ret David North, Romina Monsanto, Prof. Vijay Chalasani and Ahmad Kandari. (Note elastic harmonics maps installed!)

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Ensemble Music in My Future by Ellen Fullman

Building new backplates for resonators — Three Padauk and one Honduran Rosewood (Dalbergia stevensonii). Finished out two quarter-sawn Maple double-sided resonators for upcoming piece for The Living Earth Show.

Padding shellac varnish — an alcohol based natural finish. After many layers are applied, a beautiful depth in flaming develops. Shellac is a resin secreted by the female lac bug on trees in the forests of India and Thailand.

Padding shellac varnish — an alcohol based natural finish. After many layers are applied, a beautiful depth in flaming develops. Shellac is a resin secreted by the female lac bug on trees in the forests of India and Thailand.