 |
Fluctuations
Ellen Fullman and Monique Buzzarté
Deep Listening Institute, 2008
DL 38-2007
deeplistening.org
listen to Fluctuation 6 here
“Listening to it, you feel like you are inside some cyclopean subterranean grotto… it’s bejewelled walls glistening with an alien lustre (and) sounding like something that shimmers, iridescent shapes bend conventional pulse-based time and impose their own paradoxical temporality, where constant movement teems within a vast stasis. Merging in and out of Fullman’s overtones, Buzzarté’s trombone – sometimes serene and stately, sometimes wolf-howl mournful – adds abstract colours to the immense, humming backdrop that the LSI generates. Her somber poise is the perfect complement to Fullman’s playing.” -The Wire (May 2008) Wire rerview pdf
|
 |
Ellen Fullman + Sean Meehan
Cut, Switzerland, 2007
cut 022
cut.fm
mastered by James Fei
currently out of print
|
 |
Staggered Stasis
Anomalous, 2004
NOM 29
ribexibalba.com/ar
Staggered Stasis
1 Section 1 16:43
2 Section 2 3:46
3 Section 3 25:14, performed with Santiago Villareal
4 Duration 23:16
5 Speed Duration 2:29
Staggered Stasis was originally commissioned in 1987 by the Deborah Hay Dance Company. Duration was created for the ISCM Festival 1986 in Munich, and previously unreleased. The original recordings were made direct to a PCM digital processor using a vintage AKG C24 stereo tube condensor microphone. Mastered by Scott Colburn
- Review in the Wire, October 2004 download pdf
- "…splendidly recorded… Thanks to the harmonic configurations of the instrument as much as Fullman's chosen pitches, (the title track) is a fantastically rich piece. "Staggered Stasis" is as dramatic and colourful as a Mahler symphony." - Dan Warburton, Paris Transatlantic, link to complete review
|
 |
Ort
Ellen Fullman and Konrad Sprenger
Choose Records, Berlin 2004
002
choose-records.de
CD and LP
1 Glittering Glass 2:46
2 No Home 3:54, by Woody Guthrie
3 Train 5:53
4 John Hardy 4:49, by A.P. Carter
5 Empty Building 6:35
6 In The Mist 6:16
7 Bottle Glass 4:52
8 Simple Words 5:09
9 Worksong 2:38
additional performers: Jessika Kenny, vocals; James McCartney, keyboards; Michael Lytle, bass clarinet; Bill Ruyle, percussion; Sonja Muller, violin
Mixing Engineer - Josef Schütz, Hamburg
Mastered by Rashad, Dubplates and Mastering, Berlin
- Selected in top 50 recordings of 2004 by the Wire
- Interview with Julian Cowley in the Wire, July 2004
download pdf
- Review in the Wire, October 2004 download pdf
|
 |
Change Of Direction
New Albion, 1998
NA 102
newalbion.com
Performed with Elise Gould and Nigel Jacobs
|
 |
Suspended Music
Deep Listening Band and the Long String Instrument
Periplum, 1997
P0010
Epigraphs In The Time Of AIDS
by Pauline Oliveros
TexasTravelTexture
by Ellen Fullman
performed with Elise Gould and Nigel Jacobs
Deep Listening Band is Pauline Oliveros, Stuart Dempster and David Gamper
Executive Producer - Herb Levy
|
 |
Body Music
XI, 1993
XI 109
experimentalintermedia.org/xi
performed with Scott Lehman and Daniélè Massie, except track 3: performed with Metis Policano, Jane Botkin and Daniélè Massie
1 Bass Song 14:27
2 Over And Under 1:31
3 Work For 4 20:00
4 Space Between 3:50
5 Body Music 19:12
6 Departure 4:04, recorded by Doug Haire
|
 |
The Long String Instrument
Het Apollohuis / Apollo Records, 1985
AR 11850
LP, vinyl, currently out of print
A1 Woven Processional 11:29, performed with Arnold Dreyblatt
A2 Langzaam 6:13
B1 Swingen 10:17
B2 Memory Of A Big Room (For Matthew) 3:42
B3 Dripping Music 2:23 |
Compilations and Guest Appearances |
 |
Music Overheard
Curated by Bhob Rainey and Kenneth Goldsmith
Institute of Contemporary Art, 2007
link to online sounds and artists' statements
Institute of Contemporary Art, Boston, store
Contributors: Chris Corsano · Charles Curtis · Ellen Fullman · Greg Kelley · Sean Meehan · Bhob Rainey · Liz Tonne · Taku Unami · Caroline Bergvall · Henri Chopin · John Duncan · Paul Dutton · Leif Elggren and Thomas Liljenberg ·Language Removal Services · Lauren Lesko · Miya Masakoa Matmos · Christof Migone · People Like Us · Jim Roche · Gregory Whitehead
|
 |
Zeitenwechsel 2 - 35 Jahre Berliner Künstlerprogramm
Edition RZ, Berlin, 2001
Ed. RZ 20002
edition-rz.de
Transmission Particle 1 9:00, collaboration:
Ellen Fullman, Long String Instrument and Eliza Slavet, oboe
other contributors: Horacio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi and Olga Neuwirth
"The richness of the sounds (Fullman's instrument) produces allows notes and chords to roll into each other almost imperceptibly, while Slavet's skillfully controlled multiphonics bob in and out of the texture. The music is placid, but it floats forwards, sometimes recalling an ethereal soundworld of Renaissance viols and coronets." -Tom Perchard, The Wire, 2002
|
 |
Immersion
Starkland Recordings, 2000
S-2010
starkland.com
DVD Surround Audio
Margaret Tuned the Radio In Between Two Stations 5:08
performed with Angelina Baldoz
All pieces were commissioned by Starkland for surround sound and for premiere on this DVD release.
|
 |
Frau Musica (nova)
Festival für neue Musik
JHM-Vertrieb, 1998
Frau Musica 001
jazzhausmusik.de
4 CDs
Tangible Limits Water's Edge 8:23
with performers Jessica Lurie and Matthew Sperry
|
 |
Orbitones Spoon Harps & Bellowphones
Ellipsis Arts, 1998
CD3610
CD and 96 page hardback book featuring experimental musical instruments and instrument builders. Book & CD written and produced by Bart Hopkin windworld.com
|
 |
A Storm Of Drones
Asphodel, 1995
ASP 0966
asphodel.com
3 CDs
Change Of Direction 4:18
Processed, edited and remixed by Gregory Lenczycki and Xopher Davidson at the Compound.
|
 |
Poi Dog Pondering - Volo Volo
Columbia, 1992
CK 46960
Entrance
End Trance
poidogpondering.com
|